Frequently Asked Questions
“FAQ”
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I do, but I not very often. Maybe a couple times a year I’ll open slots for a few.
My availability is determined by books and other projects I am working on and the deadlines associated with.
The BEST WAY to be notified on commissions is through my email list, or following me on my instagram.
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For most of my professional work, I start off with pencils and paper, copic markers, gouache, and then finish in Procreate on a iPad Pro. If the piece requires something more, I move into Photoshop to finish.
-Pencils, I just use general mechanical pencils, usually lead size 0.5mm
-Markers: Copic
-Gouache brand I use Winsor & Newton and M.Graham.
-Ink: I kind of experiment with a lot of different types. I always go with one that is waterproof. That way it doesn’t run if I paint over.
-Paper: depending on what I’m doing I use cardstock or 140lb Arches Watercolor. Watercolor paper holds paint and ink washes better.
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I take work on a case-by-case basis. Some things I consider when asked:
-Are you working with a publisher?
-Have you written and published before?
-Is my style a good fit for the story?
-What is the budget?
-What is the timeline for the book? (Do our schedules work together?)
Answers to these help me determine whether its a project I can take on.
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Most of my work comes from people finding me on social media and connecting with people at conventions.
A piece of advice I would give is to contact people doing what you want to do, and get some feedback on your current work. Remember to take criticism well. You benefit from honesty, over a sugar coated compliment.
Then go to work on improving and working on the suggestions you receive.
Keep working and asking for input.
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I studied at BYU-Idaho in their illustration program.
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Occasionally I will open up time for people to sign up for portfolio reviews.
I’m also willing to talk with people at conventions. Stop by my booth and I can give you some feedback.
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I don’t share contact information of people I work with.
HOWEVER, connecting with publishers is easier than it sounds. I met some of the companies I am currently working on at Comic Conventions.
There are a lot of events that companies will send editors to in order to engage with authors and their audiences.
If you’re an artist, come to conventions with a SHORT synopsis of your story, and some example pages of art. Art that shows your ability to tell a story (or whatever position you are wanting)
If you’re an author, be prepared to share a SHORT pitch, with example work. Keep it short: 15-20 seconds, Is what I’ve been told.
They also are told not to take any work from you, so also ask for contact information if they seem interested.
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Draw. Or write, if that’s what you’re going for. Either way, the best advice I got was to just take a project and finish it.
Someone who has worked hard and taken a project from concept to finished product has a lot more leverage than someone with only ideas.
Make something that shows you can do it.